Fragmented point of view; western genre conventions; post-war context;

Demonstrate how at least TWO of the filmmaker’s creative decisions in ONE film from the block (weeks 7-11) serve to establish the film’s point of view on the characters, story and subject. Screening: The Searchers (1956, John Ford, USA) Reading: Douglas Pye (1996) ‘Double Vision: Miscegenation and Point of View in The Searchers’ in Ian Cameron and Douglas Pye (eds) (1996) The Movie Book of the Western. London: Studio Vista, 229-235.

Topics: Fragmented point of view; western genre conventions; post-war context; interpreting themes; stylistic patterning.

#Fragmented #point #view #western #genre #conventions #postwar #context

Table of Contents

Calculate your order
Pages (275 words)
Standard price: $0.00

Latest Reviews

Impressed with the sample above? Wait there is more

Related Questions

The “identifiable victim effect”

 Answer the following questions! 1. The “identifiable victim effect” refers to people’s tendency to be more likely to offer assistance to charities when charities’ marketing

New questions

Don't Let Questions or Concerns Hold You Back - Make a Free Inquiry Now!